The Handlers: Marina Abramović and the Spirit Cooking Connection
If you want to understand who’s really pulling the strings in the entertainment industry, you need to know about Marina Abramović. She’s a 78-year-old Serbian performance artist who has become one of the most influential figures in celebrity occult circles. And her story reveals just how deep these connections go.
Abramović gained notoriety in conspiracy circles for her “spirit cooking” performances. These controversial art pieces involve the use of pig’s blood and other bodily fluids in ritualistic settings. But here’s what makes her significant: it’s not just the art itself, it’s who participates in it.
Abramović’s connections to high-profile celebrities and politicians have led many to believe she’s a key figure in introducing occult practices to the elite. Her 2010 performance piece “The Artist is Present” at the Museum of Modern Art, where she sat silently across from museum visitors for over 700 hours, was seen by some as a form of ritualistic energy harvesting.
But it’s her relationship with Lady Gaga that really opened people’s eyes to what was happening. Gaga has participated in Abramović’s performance art workshops, and the photos from these sessions are deeply disturbing. They show Gaga and other participants engaging in what can only be described as occult rituals, complete with symbolic imagery and ritualistic behavior.
The artist’s use of Satanic imagery in her work isn’t subtle. Pentagrams, goat heads, inverted crosses—these aren’t just provocative artistic choices. They’re deliberate references to occult symbolism that has deep spiritual significance. When Abramović says “the artist has to be a warrior,” she’s not talking about fighting for creative freedom. She’s talking about spiritual warfare.
What makes Abramović particularly dangerous is her ability to present occult practices as high art. By framing these rituals as performance art, she’s able to introduce celebrities and wealthy elites to occult practices without them necessarily understanding what they’re participating in. It’s a form of spiritual grooming that operates under the cover of artistic expression.
The leaked emails from John Podesta’s account in 2016 revealed invitations to Abramović’s “spirit cooking” dinners, attended by political and entertainment figures. While mainstream media dismissed these as art events, the ritualistic nature of the activities and the high-profile guest lists suggest something more significant was happening.
Abramović’s influence extends far beyond individual celebrities. She’s been involved in major art installations and cultural events worldwide, always incorporating the same occult themes and symbolic imagery. Her work serves as a bridge between the art world and the entertainment industry, introducing occult practices to influential figures who then carry these themes into their own work.
But Abramović isn’t the only handler operating in celebrity circles. There’s another figure who’s been dubbed the “secret witch handler of the music industry,” and her story is even more disturbing.
Michele Lamy: The Secret Witch Handler of the Music Industry
Meet Michele Lamy, an 80-year-old fashion designer and restaurateur who has been called the “secret witch handler of the music industry.” Her unconventional appearance—with tattooed fingers and blackened teeth—has contributed to her mystique, but it’s her connections to major hip-hop artists that make her significant.
Lamy’s close relationships with numerous celebrities, particularly in the rap world, have raised serious questions about her role in the industry. She’s been photographed with various artists, including members of Migos, A$AP Rocky, and other major figures. But these aren’t just casual celebrity encounters. The photos suggest ongoing relationships and mentorship roles that go far beyond normal industry connections.
Her husband, fashion designer Rick Owens, is known as the “dark prince of fashion,” and their fashion shows often feature dark, gothic themes that incorporate Satanic imagery. But it’s Lamy’s individual relationships with musicians that are most concerning. She seems to target young, successful artists and develop close personal relationships with them.
Lamy’s background in the Parisian nightclub scene and her eclectic interests in boxing and art have led some to speculate that she’s a conduit between different worlds—entertainment, fashion, and the occult. Her ability to move between these circles and develop intimate relationships with influential figures suggests a level of coordination and purpose that goes beyond casual networking.
What’s particularly disturbing about Lamy is how she’s been able to operate largely under the radar. While Marina Abramović’s activities are at least documented and discussed, Lamy’s influence has been much more subtle and hidden. She works behind the scenes, developing personal relationships with artists and gradually introducing them to occult concepts and practices.
The fact that an 80-year-old woman with such an unconventional appearance has developed close relationships with young, successful hip-hop artists should raise questions. These aren’t natural friendships or business relationships. They suggest a deliberate targeting and grooming process designed to influence these artists’ careers and content.
Both Abramović and Lamy represent a type of handler that operates in celebrity circles—older, experienced figures who use their knowledge of occult practices to influence and control younger, more successful entertainers. They provide a bridge between the occult world and mainstream entertainment, gradually introducing celebrities to practices and beliefs that then influence their artistic output.
But the handler system is just one part of a much larger control mechanism. Because in the digital age, the tools for monitoring and controlling both celebrities and audiences have become far more sophisticated and pervasive.
The Technology of Control: Digital Age Manipulation
While figures like Abramović and Lamy represent the traditional handler model, the entertainment industry’s control mechanisms have evolved to include sophisticated technological surveillance and manipulation systems. Understanding these modern methods is crucial to grasping how industry control operates in the digital age.
Celebrity social media accounts are rarely managed by the celebrities themselves. Most major stars employ teams of social media managers, publicists, and “brand consultants” who control their online presence. This means that what appears to be personal communication from celebrities is often carefully crafted messaging designed to maintain specific public personas and promote particular agendas.
But it goes much deeper than that. Industry contracts now routinely include clauses allowing labels and studios to monitor celebrities’ private communications, financial transactions, and even physical locations through smartphone tracking. This level of surveillance ensures that industry figures can intervene quickly if celebrities begin to deviate from approved messaging or behavior.
The psychological impact of this technological control cannot be understated. Celebrities live under constant surveillance, knowing that their every move is monitored and that stepping out of line could result in career destruction. This creates a form of psychological conditioning that ensures compliance even without explicit threats.
The rise of artificial intelligence in content creation has introduced new possibilities for manipulation. AI can now generate realistic videos, audio recordings, and social media posts that are virtually indistinguishable from authentic content. This technology could be used to create false evidence of celebrity statements or behaviors, or to generate content that appears to come from celebrities but actually serves industry interests.
But perhaps the most disturbing development is how these same technologies are being used to manipulate audiences. Social media platforms use algorithmic systems to determine which content gets promoted and which gets suppressed. These algorithms can be manipulated to ensure that certain messages reach large audiences while others are effectively censored.
TikTok and Instagram’s algorithms have been designed to be highly addictive, potentially putting users into a trance-like state. This state of heightened suggestibility makes users more susceptible to subliminal messaging and occult symbolism. The rapid-fire nature of content on these platforms, particularly TikTok’s short-form videos, creates a form of digital hypnosis.
The constant stream of information overloads the brain, potentially making it more receptive to embedded messages. Some conspiracy theorists believe that viral challenges and trends on these platforms are actually designed rituals. The “Skull Breaker Challenge” on TikTok, for example, was seen by some as a covert occult practice designed to cause harm to participants.
Virtual and augmented reality technologies have opened up new possibilities for immersive experiences that could potentially be used for occult purposes. VR concerts could be used to create mass rituals where audiences unknowingly participate in occult practices. A VR recreation of a music festival could incorporate subtle occult symbolism or ritualistic movements that users mimic without understanding their significance.
AR filters on social media platforms could be used to subtly incorporate occult symbols into everyday life. A popular face filter might include a barely noticeable all-seeing eye symbol, gradually normalizing this imagery for millions of users. Some theorists speculate that VR meditation apps could be used to guide users through occult rituals or astral projection experiences under the guise of relaxation techniques.
The use of AI in the entertainment industry has led to theories about its potential for occult influence. AI-generated music could potentially contain hidden frequencies or patterns designed to influence listeners on a subconscious level. Some theorists believe that certain pop songs contain embedded binaural beats that alter brain waves and emotional states.
Predictive algorithms used by streaming services could be programmed to subtly influence public consciousness by promoting content with occult themes or symbolism. There are concerns that AI chatbots and virtual assistants could be used to disseminate occult ideas or guide users through occult practices under the guise of personal development or entertainment.
The integration of occult symbolism with these technological control systems creates a particularly potent form of influence. When audiences are repeatedly exposed to occult imagery through entertainment content that’s been algorithmically selected to maximize psychological impact, it represents a form of mass programming that operates below the level of conscious awareness.
Understanding these technological aspects of industry control is essential for anyone seeking to understand how modern entertainment shapes public consciousness. The combination of traditional occult symbolism with cutting-edge surveillance and manipulation technology creates unprecedented opportunities for social control and cultural programming.
But the technological control system is just one part of a global network. Because the patterns we’ve documented in American entertainment aren’t limited to Hollywood or the US music industry. They appear worldwide, suggesting a level of coordination that transcends national boundaries.
International Patterns: A Global Entertainment Conspiracy
The occult symbolism and control mechanisms we’ve documented in American entertainment aren’t isolated phenomena. Similar patterns appear in entertainment industries worldwide, suggesting a coordinated global effort rather than isolated national trends.
The K-pop industry in South Korea provides one of the clearest examples of how these patterns manifest internationally. K-pop groups routinely incorporate occult symbolism into their music videos, stage performances, and promotional materials. The imagery includes the same elements we see in Western entertainment: all-seeing eyes, pyramid symbolism, black and white dualism, and references to ancient mystical religions.
But what makes the K-pop example particularly significant is the industry’s well-documented control mechanisms. K-pop trainees sign contracts that give entertainment companies unprecedented control over their lives, including restrictions on dating, social media use, and public statements. The training process itself has been described as a form of psychological conditioning designed to create completely compliant performers.
The suicide rate among K-pop performers is significantly higher than the general population, with several high-profile deaths in recent years raising questions about industry pressures and control mechanisms. The deaths of Jonghyun from SHINee, Sulli from f(x), and Goo Hara from KARA all involved young performers who had spoken about industry pressures and mental health struggles.
BTS, one of the most popular K-pop groups worldwide, has been at the center of many occult accusations. Their music video for “Blood, Sweat & Tears” has been particularly scrutinized for its use of religious imagery, including a replica of Michelangelo’s Pieta and scenes interpreted as references to the Last Supper. Some fans and conspiracy theorists claim to have found evidence of occult symbolism in other BTS videos like “Boy Meets Evil” and “ON.”
BLACKPINK, another globally successful K-pop group, has also faced similar accusations. Their use of black and white checkerboard patterns in their visuals has been interpreted by some as secret society symbolism representing separation and division. The group’s rapid rise to international stardom has been seen by some as evidence of backing from powerful occult forces.
The global success of K-pop has only intensified these theories, with some viewing it as part of a larger plan for world cultural domination. The synchronized nature of K-pop’s international expansion, combined with the consistent occult symbolism across different groups, suggests a level of coordination that goes beyond normal business planning.
European entertainment industries show similar patterns. The Eurovision Song Contest, watched by hundreds of millions of people across Europe, has increasingly featured performances with explicit occult symbolism. The staging, costumes, and themes consistently incorporate elements that align with secret society imagery and occult practices.
British entertainment has a long history of occult connections, dating back to figures like Aleister Crowley and continuing through modern artists like David Bowie, Led Zeppelin, and more recent acts. The BBC, Britain’s national broadcaster, has been accused of promoting occult themes through its programming, particularly in children’s shows that introduce young viewers to witchcraft and supernatural themes.
Bollywood, India’s massive film industry, has not escaped these patterns either. The use of elaborate dance numbers and mystical themes in Bollywood films has been interpreted by some as occult rituals disguised as entertainment. Prominent Bollywood stars have been accused of secret society membership, with their gestures and film roles scrutinized for hidden meanings.
Shah Rukh Khan, one of Bollywood’s biggest stars, has been alleged to be connected to these networks. His immense success and influence in the industry have been cited as “proof” of supernatural backing. Similarly, other successful Bollywood figures have faced similar accusations, with conspiracy theorists analyzing their hand gestures, symbolic imagery in films, and career trajectories for signs of occult influence.
The global nature of these patterns suggests coordination at a level that transcends national boundaries. International entertainment conglomerates, global streaming platforms, and multinational record labels create opportunities for coordinated messaging and symbolic programming across different cultures and languages.
The financial connections between entertainment industries worldwide also support the theory of coordinated control. Major investment firms and financial institutions have significant stakes in entertainment companies across multiple countries, creating opportunities for unified direction and messaging.
From a biblical perspective, this global coordination aligns with prophecies about end-times deception and the establishment of a worldwide system of control. The entertainment industry’s role in creating a unified global culture that promotes occult themes and undermines traditional religious values fits the pattern described in biblical prophecy about the last days.
The challenge for audiences is recognizing that the entertainment they consume is part of a global system designed to influence their beliefs and behaviors. Understanding the international scope of these patterns is essential for developing discernment about the spiritual and cultural forces operating through modern entertainment.
And here’s what makes this global coordination particularly concerning: it suggests a level of organization and planning that goes beyond simple business interests or cultural trends. When the same symbolic themes and control mechanisms appear consistently across different countries, cultures, and languages, it indicates a coordinated effort to shape global consciousness and culture.
But understanding the global scope of this system raises an even more fundamental question: what’s the ultimate goal? What are these puppet masters trying to achieve through their control of global entertainment? And why are they so committed to promoting occult themes and undermining traditional religious values?
Energy Harvesting: Concerts as Mass Rituals
One of the most disturbing theories about the entertainment industry’s occult connections involves the concept of energy harvesting—the belief that mass entertainment events are actually rituals designed to collect spiritual energy from audiences for nefarious purposes.
This theory gained significant traction after the 2021 Travis Scott Astroworld Festival tragedy, where ten people died and hundreds were injured during a crowd surge. But it wasn’t just the deaths that fueled conspiracy theories—it was the circumstances surrounding the event and Scott’s response to the tragedy.
The festival’s entrance was designed as a giant head that attendees walked through, with promotional materials featuring the phrase “See you on the other side.” The stage design incorporated imagery that conspiracy theorists interpreted as occult symbolism, including what appeared to be a portal or gateway. Most disturbing of all, Scott’s performance continued even as people were dying in the crowd.
According to Facebook, the topic “Astroworld Sacrifice” was trending with 39,000 users discussing it in the days following the tragedy. One TikTok user with over 20,000 followers claimed: “We’re all suffocating, dying, and on the screen, it says ‘See you on the other side’ along with all the Illuminati symbols and the praying hand sucking our energy from us.”
But the energy harvesting theory extends far beyond just the Astroworld tragedy. Conspiracy theorists point to various aspects of modern concerts and festivals that they interpret as ritualistic elements designed to harvest energy from audiences.
Large music festivals often feature stage designs that incorporate pyramid shapes, all-seeing eye imagery, and other occult symbols. The positioning of these symbols isn’t random—they’re placed in locations where they’ll be most visible to the largest number of people, creating what theorists describe as “mass ritual participation.”
The synchronized movement of crowds during concerts is seen as another form of ritual participation. When thousands of people move in unison, raise their hands together, or chant lyrics simultaneously, it creates what some describe as a collective energy that can be harvested and directed.
Beyoncé’s concerts have been particularly scrutinized for alleged energy harvesting activities. During her Renaissance tour, there were moments where she appeared to call for energy from the crowd in ways that some interpreted as ritualistic gathering of power. During her performance of “ALIEN SUPERSTAR,” she stands with her arms outstretched, seeming to draw energy from the audience in a pose that resembles occult energy manipulation techniques.
The use of specific lighting, sound frequencies, and visual effects at concerts is also seen as part of the energy harvesting process. Certain frequencies and light patterns can induce altered states of consciousness, making audiences more susceptible to spiritual manipulation. The strobe lights, bass frequencies, and synchronized visual effects common at modern concerts create conditions that some theorists believe facilitate energy extraction.
Virtual concerts and digital events have introduced new possibilities for energy harvesting. When millions of people participate in virtual events simultaneously, it creates opportunities for mass ritual participation on an unprecedented scale. The shared virtual space, combined with synchronized activities and symbolic imagery, could potentially be used to harvest energy from participants who don’t even realize they’re participating in a ritual.
Social media trends and viral challenges are also viewed through this lens. When millions of people participate in the same activity simultaneously—whether it’s a dance challenge, a hashtag campaign, or a viral trend—it creates what theorists describe as “distributed ritual participation.” The collective energy generated by these mass participation events could potentially be harvested and directed by those who understand how to manipulate these systems.
The timing of major entertainment events is also seen as significant. Many large concerts and festivals are scheduled to coincide with specific dates that have occult significance—solstices, equinoxes, and other dates that are important in occult calendars. This timing isn’t coincidental, according to theorists, but is designed to maximize the spiritual energy that can be harvested from these events.
The energy harvesting theory helps explain why the entertainment industry is so committed to promoting occult themes and imagery. If these events are indeed designed to harvest spiritual energy, then the occult symbolism serves a functional purpose—it creates the spiritual conditions necessary for energy extraction to occur.
From a biblical perspective, the energy harvesting theory aligns with warnings about spiritual deception and the manipulation of human souls. The Bible warns about spiritual forces that seek to steal, kill, and destroy, and the concept of harvesting human spiritual energy fits this pattern of spiritual predation.
Whether or not the specific energy harvesting theories are accurate, they reflect a genuine concern about the spiritual implications of mass entertainment events. When millions of people gather to participate in events that feature occult symbolism and ritualistic elements, it creates spiritual conditions that deserve serious consideration and discernment.
But the energy harvesting theory is just one piece of a larger puzzle. Because if there really is a coordinated global effort to control entertainment and harvest spiritual energy from audiences, then we need to ask the fundamental question: what’s the ultimate agenda? What are these forces trying to achieve, and how does it all connect to the bigger picture of spiritual warfare and biblical prophecy?
References and Sources
[1] “Marina Abramović: The Artist is Present.” Museum of Modern Art, 2010.
[2] “Spirit Cooking: Marina Abramović’s Controversial Art.” Artnet News, 2016.
[3] “Michele Lamy: Fashion’s Dark Muse.” Vogue, 2019.
[4] “The Dark Side of K-Pop: Industry Pressures and Mental Health.” BBC News, 2019.
[5] “BTS and Illuminati Conspiracy Theories.” Rolling Stone, 2020.
[6] “Travis Scott Astroworld Festival: What Happened?” CNN, 2021.
[7] “Social Media Algorithms and Psychological Manipulation.” Journal of Digital Media Studies, 2023.
[8] “Virtual Reality and Occult Practices.” Technology and Society Review, 2024.
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